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This launched her into international stardom, with films, endorsements, sold out concert tours, and her own line of Barbie dolls.
Throughout the 2000s, Norwood held a precarious position in the pop industry.
In 2012 she became a series regular in the BET series The Game, and released her sixth album Two Eleven to critical praise.
In April 2015, Norwood made her Broadway debut in the musical Chicago.
Norwood recalled that she appreciated the cancellation of the show as she was unenthusiastic about acting at the time, and the taping caused scheduling conflicts with the recording of her album. It was a good thing, because I could do what I had to do, because I wanted to sing." Norwood later summed up the songs on the album as young and vulnerable, stating, "I didn’t really know a lot—all I wanted to do was basically sing.
You can just tell that it’s a person singing from a genuine place, and also a place of basically no experience.
Norwood was born on February 11, 1979, in Mc Comb, Mississippi, the daughter of Willie Norwood, a former gospel singer and choir director, and his wife, Sonja Norwood (née Bates), a former district manager for H&R Block.
In 1990, her talent led to a contract with Teaspoon Productions, headed by Chris Stokes and Earl Harris, who gave her work as a backing vocalist for their R&B boy band Immature, and arranged the production of a demo tape.
After several lawsuits stemming from the accident, Norwood's fifth album, Human (2008), was released to commercial failure.
Critics rated the album highly, with All Music's Stephen Thomas Erlewine praising Norwood and her team for wisely finding "a middle ground between Mariah Carey and Mary J.
Blige—it's adult contemporary with a slight streetwise edge." The movie outperformed the original with a total of .5 million at its opening weekend, but critical reaction to the film was largely disappointing, with film review site Rotten Tomatoes calculating a poor rating of 7% based on 46 reviews.
Norwood co-wrote and produced six songs on the album which yielded her first number-one song on the U. Billboard Hot 100, "The Boy Is Mine", a duet with singer Monica that has become the most successful song by a female duo in the music industry.
Exploiting the media's presumption of a rivalry between the two young singers, the song was one of the most successful records in the United States of all time, spending a record-breaking thirteen weeks atop the Billboard charts, and eventually garnering the pair a Grammy Award for Best R&B Performance by a Duo or Group with Vocal.