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3D technology provides new tools for the care of objects, creating more complete documentation that is specific to each object’s unique decaying pattern, and provide thorough history trails of data for future comparison.

In addition to the groundbreaking inroads in preservation, 3D documentation technology can drive new levels of public engagement and interaction.

Light Projection In late 2014, Harvard University concluded a six year restoration project with the unveiling of Mark Rothko’s restored Harvard Murals at the newly renovated Harvard Art Museum.

Originally placed in a Harvard dining hall in 1962 and subject to over 15 years of sun exposure, the severely faded paintings have been locked away in storage since 1979.

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The ’s 3D data is now accessible via the web, allowing the public to not only view the ship in various, previously inaccessible angles, but to also print their very own replica models using a standard 3D printer.

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The works were once thought irreparably damaged and too fragile to undergo restoration.

Rothko’s special paint formulations could not withstand the use of isolating varnishes, a standard preservation technique, rendering any hands-on restoration work irreversible; a fundamental contradiction to conservation best practices.

In conjunction with MIT and the University of Basel, Harvard Art Museum’s conservation team developed custom software that evaluated the faded areas against the original colors, calculating new images with corrective light levels.

The revised image was then projected onto the original canvas via low-intensity light, virtually restoring faded hues, pixel by pixel.

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