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5 BAYWATCH NIGHTS (syndicated) All-powerful producer and bathing-suit wearer David Hasselhoff has turned Nights into X-Files with Plan 9 From Outer Space F/X.
The results are dumb, sure, but also lacking in Baywatch’s blithe goofiness.
David Duchovny’s Fox Mulder and Gillian Anderson’s Dana Scully now give off a united glow that says to the world, ”We’re right, you’re wrong, back off.” There’s no denying that The X-Files is more uneven these days (that episode where Mulder was remembering past lives was more heartburn commercial than X-File), but this is one series in which such erratic-ness is less a sign of creative exhaustion than of an admirably heedless faith in flaky flukiness.
3 THE LARRY SANDERS SHOW (HBO) Garry Shandling is TV’s purest artist, quietly yet aggressively laboring over an unmatched portrait of show-business egotism.
So far, the David-less new season has been uneven but agreeably wacky.
High point thus far: Michael Richards’ Kramer accidentally entering the corporate world and having his entire business career rise and fall in the space of 30 minutes.
2 THE X-FILES (Fox) The concept most alien to this show — displays of simple human emotions — is what kept The X-Files fresh and intriguing this season.This season, Anthony La Paglia replaced Benzali and offered a hero who was prickly and arrogant in a more engaging way.The Waltons’ Ralph Waite has been a marvelous skunk of a baddie, and Missy Crider’s work as a hapless murder defendant who also happened to be, as one character puts it, ”a major hottie,” gave One a fresh jolt of energy.The ongoing theme — alien invasions in the time of the Kennedy administration — manages to be boring, trite, and tasteless all at the same time.4 THE JEFF FOXWORTHY SHOW (NBC) The redneck routines that brought Foxworthy fame were pleasant, innocuous bits, but in retooling the comic’s flop ABC sitcom, the NBC version turns his material into marathons of joke-free vulgarity.